First Place. Tori Kleinert.
Turners Station, Kentucky. Ceremonial Semblance: It’s in the Cloth © 2012. Tapestry. Linen, cotton. |
My juror's statement:
"It has been an honor, a pleasure, and a great confirmation
of hope to have juried this year’s Small Expressions Exhibit for the
Handweavers’ Guild of America. I always
find it humbling to be put in a position of making judgment calls. One must be particularly wary of objectivity:
it is so easy to be carried away by one’s personal biases, one’s taste. No doubt things will be read into my choices,
noting that I am a handweaver of 40 years myself!
It was a joy to see the great variety of media presented
within such a small format. The old
maxim is true: it was extremely difficult to whittle the selection down to the
maximum number of pieces that the show can handle. It meant tough choices. This show is, in essense, about miniature
work. The crafting demanded at such a
reduced scale must be immaculate: larger work is more forgiving. The scale of threads is more crucial, the
fineness of edges more exacting. Simply
reducing one’s usual work to a smaller size is not always satisfactory. I am always conscious of the danger of how
one places a very small piece of fabric on a very large wall: it may well look like a scrap. But when well executed and presented, the
smallness provides a treasure that is a reward in itself.
Framing is also essential.
It is terribly easy to overpower a delicate structure with a
conventional frame. Therefore I find it
necessary to include the framing or mounting within the realm of
criticism.
I respond to excellence of craft combined with a stretch of
imagination. A perfectly executed
basket, simple and proud, can be as imaginative as an elaborately woven
tapestry: it all depends upon an exact,
if sometimes serendipitous, confluence of material, form, craft, color, a
rightness of material, scale and structure to define an idea but leave it open
to thought and imagination.
I was delighted with how often I found material completing a
sentence that line or form had begun; how the magic of detail could flesh out
an evocative yet sweeping form. These
are the great assets of fibrous materials, and it is gratifying to find them
alive and well!
I also was sometimes heartbroken to eliminate a beautiful
piece which was overpowered by an ill-chosen frame, or an immaculately and
elaborately structure held up by a thoughtless armature. Once in a while a work of staggering
craftsmanship was eliminated due to a subject which was not entirely
original. Although I respected all of
these pieces, the search was for the best of the lot.
I am quite excitedly looking forward to viewing all of this
masterful work in its 3-D reality:
frequently a photograph is puzzling because of the arbitrariness of a
reflection or a shadow. I am hugely
looking forward to a couple of works which are somewhat mysterious in the
photographs yet promise something surprising in terms of materials or colors or
structure. I will be truly sorry to miss
some of the wonderful pieces which did not quite make it here due to any number
of the reasons explained above. One of the best things, for me, about work in
textile media is simply the necessity of accessing it physically: no digital
substitute can suffice. Isn’t that satisfying?"
Second Place. Noriko Tomita. Tokyo, Japan. Twistingle © 2013. Embroidery, original technique. |
Third Place. Vladimira Fillion Wackenreuther. Surrey, British Columbia, Canada. Baby Snake © 2012. Weaving. |
Honorable Mention Award. Saberah Malik. Warwick, Rhode Island. Backyard Yield© 2013. Self-developed technique from oboshi shibori, marbling, machine and hand sewing. |
HGA Award Award. Geraldine Woodhouse. Katy, Texas. Big Bend Post Office© 2011. Sixteen-shaft summer and winter figural pattern woven in tapestry. |
Fine Line Creative Arts Center • 6N158 Crane Road • St. Charles, IL • 60175 • 630-584-9443 Exhibition hours:
Monday through Saturdays 10 a.m. to 5 p.m. Closed Sundays. www.fineline.orgwww.fineline.org
Monday through Saturdays 10 a.m. to 5 p.m. Closed Sundays. www.fineline.orgwww.fineline.org
Laura,
ReplyDeleteIs there a way to view current for-sale larger tapestries (just meaning, larger than ribbon-size)?
I've looked over the individual gallery's websites, but I don't see several of the more recent pieces, from say 2010-present.
Thanks,
A devoted and super small-time collector ;)
How kind of you to ask! at the moment, no, I don't maintain a website for tapestries, though it is high time to do so! If you want to send me a price range, I can send you images of pieces within that range. write me at lfntextiles@sbcglobal.net. Thank you.
ReplyDelete